If it's just that the audio is playing at the wrong speed, and DP can otherwise open it OK, it's an easy fix providing you're running DP 5.12 or later.
You need a few tricks up your sleeve to deal with these sorts of headerless or header‑compromised files. If the header information happens to be incorrect (for example, it might report a sample rate of 48kHz for a file originally recorded at 44.1kHz), playback will be at the wrong speed, or afflicted with other glitches. Without that information, DP and other audio applications may reject the file completely. Most uncompressed audio file formats store the actual audio signal as raw data, but with an initial header block describing the sample rate, channel count and bit depth of what's about to follow.
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There's another reason why some audio files can't be dragged into plug‑in windows or DP tracks, or even imported using the File menu's Import Audio command, and that's because they have incorrect, incomplete or just plain missing header information. Then, finally, it can be dragged into Nanosampler. Either way, choose WAV or AIFF as your export format (mono or interleaved stereo) first and save the file somewhere convenient, such as your Project folder or the Desktop. So select the soundbite in your sequence that you want to use in Nanosampler and go Audio menu / Bounce To Disk, or select it in the Soundbites window and use the Export Selected Bites command from the mini‑menu. Like the ProVerb issue I just described, the solution lies with DP's ability to convert its native audio into alternative formats. Although this is fixed in DP6 (where you'd be less likely to be using SDII as your native format anyway), it's still a pain in the butt for DP5 users. It's one of DP5's dirty little secrets, but as I've mentioned in the past, the bundled plug‑in instrument Nanosampler is incompatible with and can't load DP's native file format, Sound Designer II. The fact that it has (in this case) two channels will make no difference to its sound - they'll be exactly the same, so in its effect it's still mono. Now you should be able to succesfully drag the bounced file into ProVerb, matching its channel configuration. Finally, choose your Desktop or somewhere else convenient as the export location, before clicking OK.īounce to Disk is a convenient way of generating a stereo file from a mono audio track, or copying audio in a wide variety of split or interleaved formats, even within DP5. Make the source your main stereo mix bus. Choose Stereo, and ideally an interleaved format like AIFF or WAV. Go to the Audio menu and choose Bounce To Disk.ģ.
Drag the file into a mono audio track in DP, which has a normal stereo output, and select the resulting soundbite.Ģ. The solution is to make a stereo file from your mono impulse. An example of where all this becomes a problem is when you want to load up an old‑school mono reverb impulse but you've no option to use a mono ProVerb because it's on a stereo track, or in a plug‑in slot beneath another stereo‑output plug‑in. To keep us all thoroughly confused, though, a mono ProVerb will accept both mono and stereo impulse file drags. Likewise surround (and something‑to‑surround) ProVerbs only work with multi‑channel surround impulse files. A stereo (or mono‑to‑stereo) ProVerb only allows stereo impulse files to be dragged and dropped.
The main reason for this is actually really obvious - or, at least, obvious enough to MOTU that they didn't bother putting it in the DP6 manual.
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But when you try with some great free impulse responses (like those at or even your own audio files, it sometimes doesn't work, and DP doesn't give any feedback as to why. You're supposed to be able to drag WAV, SDII and AIFF audio files from the Finder on to ProVerb's waveform display to get it to load that audio as an impulse. The ProVerbialįirst things first - let's get to the bottom of the DP6 ProVerb problem. So here's a DP file‑compatibility primer, with fixes for specific problems. It got me thinking: we live in a world jam‑packed with different file formats, and all the specification and compatibility issues that go with them. Over the last few months, I've mentioned a few file format‑related issues that have come up in relation to other DP topics.
We present a DP‑user's guide to troubleshooting audio files and formats, and pass on tips for when the unthinkable happens.
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